Clayton Bailey, BeautyBot, Boybot, RoboPet (courtesy of SJMA); Tony Natsoulas, How to get whipped cream on pie (Portrait of Rube Goldberg)
Tony Natsoulas, A Thousand Beautiful Things (Portrait of Annie Lennox), 2021, Ceramic, wood, found metal legs and neon by Tesla neon
Clayton Bailey, Tipsy, the Wine-Loving Robot, 2003, Aluminum and chrome, Collection of Robin Liebes
Tony Natsoulas, Dr. Gladstone has left the Planet, 2021, Ceramic, glass marbles, wire, LED lights
exhibition
|
01.15.22 - 04.24.22

Out of Our Minds: Clayton Bailey & Tony Natsoulas

This exhibition brings together two giants of California Bay Area ceramics. 

Satire, humor, and irreverence are hallmarks of both Bailey and Natsoulas’ art. Their work is part of a strong tradition of California figurative art, born out of California Pop Art and often referred to as “Funk art.” Funk’s unrefined, irreverent, unorthodox, conceptual aesthetic and sometimes pointed critique reveals its Dada lineage and homegrown California assemblage tradition. Bailey is considered an originator of California Funk art, and Natsoulas’ work descends from the movement. 

This exhibition is also the first museum retrospective honoring Clayton Bailey, who passed away in 2020 in Port Costa, California. A significant number of Bailey’s robot sculptures are included in the exhibition. The robots are reincarnated from discarded bicycle and automobile parts, kitchen appliances, and other scrap metal parts. Also included are important abstract and fantastical figurative ceramics, some hailing from the legendary “Wonders of the World Museum.”

Exhibition supported by:
Manitou Fund and Sonoma Tourism Improvement District

Dana Simpson-Stokes and Ken Stokes
Elaine and Graham Smith
About the artists
about the artist
Clayton Bailey 2014, photo by Left Coast Arts
Clayton Bailey
Clayton Bailey (1939-2020) was born in Antigo, Wisconsin, and attended University of Wisconsin at Madison. After earning his bachelor of science degree, he switched to art and earned a master’s in art and art education in 1962. He moved to California in 1968 to teach ceramics at UC Davis with colleagues such as Roy De Forest, Wayne Thiebaud, William Wiley and Manuel Neri. He taught there until retiring in 1996. Bailey is considered to be part of the 1960s "Funk Art" movement, along with Robert Arneson, Joan Brown, Bruce Conner, Jay DeFeo, Roy de Forest, Viola Frey, Wally Hedrick, Jess, Maija Peeples-Bright, Peter Voulkos and William Wiley. In 2013 Bailey opened the Bailey Museum in Crockett, CA, which housed his life’s work and the work of his wife Betty. Bailey had 33 solo museum shows, and his work is in the permanent collections of more than 60 major museums, including the San Francisco Museum of Modern Art, the de Young Museum, the Remnick/Smithsonian in Washington, D.C., and the Valentin-Karlstadt in Munich.
about the artist
Tony Natsoulas
Tony Natsoulas (b. 1959) grew up in Davis, California. Frequent visits to Sacramento’s Crocker Museum exposed him to Bay Area ceramic artists like David Gilhooly. In high school, he attended classes taught by Robert Arneson and visited Clayton Bailey’s studio. Natsoulas went on to attend California State University, Sacramento, studying under Robert Brady and Ruth Rippon. In 1979, he returned to UC Davis and received his B.A. in 1982. After a year in graduate school at Maryland Institute, College of Art, he returned to UC Davis for his MFA and began exhibiting his life-size figurative ceramic sculptures with Rena Bransten Gallery in San Francisco. Over the past three decades, Natsoulas has had solo exhibitions at numerous venues including the Morris Graves Museum of Art in Eureka, Oakland Museum of California, Smith Anderson Gallery in Palo Alto, Pence Gallery in Davis, Triton Museum in Santa Clara, B. Sakata Garo in Sacramento, and James Snidle Fine Arts in San Francisco. His work is in many museums and private collections.